Poems in The Mother House range from the broad, surprising narrative swerve of ‘She Was at the Haymaking’ and the mysterious wound in ‘A Journey’ to the exact detail of ‘the vessels tugging at their tether’ and the lighthouse keeper ‘watching the great revolving spokes / hitting the piled castles of spray’. Stories of historical figures (including the author’s relations) are filtered through tellings. Eiléan Ní Chuilleanáin’s meticulous, probing art is like no other. As she writes in ‘Resemblances’, ‘Like everything that I deal with now the room / has a double, a frill of light surrounding it.’
Poems in The Mother House range from the broad, surprising narrative swerve of ‘She Was at the Haymaking’ and the mysterious wound in ‘A Journey’ to the exact detail of ‘the vessels tugging at their tether’ and the lighthouse keeper ‘watching the great revolving spokes / hitting the piled castles of spray’. Stories of historical figures (including the author’s relations) are filtered through tellings. Eiléan Ní Chuilleanáin’s meticulous, probing art is like no other. As she writes in ‘Resemblances’, ‘Like everything that I deal with now the room / has a double, a frill of light surrounding it.’
A renowned Irish poet, Eilean Ni Chuilleanain has published 7 collections of poetry. Born in Cork City in 1942, her collections include Acts and Monuments (1972), Site of Ambush (1975), The Second Voyage (1977), The Rose Geranium (1981), The Magdalene Sermon (1989), The Brazen Serpent (1994) and The Girl Who Married the Reindeer (2001).
To celebrate the wonders of her work on the occasion of her 80th birthday an array of international writers have selected a poem by Eiléan Ní Chuilleanáin and provide an essay on their choice. Edited by Peter Fallon
To celebrate the wonders of her work on the occasion of her 80th birthday an array of international writers have selected a poem by Eiléan Ní Chuilleanáin and provide an essay on their choice. Edited by Peter Fallon