Plays & Poetry Irish

Originally written in French and translated into English by Beckett, Endgame was given its first London performance at the Royal Court Theatre in 1957.HAMM: Clov!CLOV: Yes.HAMM: Nature has forgotten us.CLOV: There's no more nature.HAMM: No more nature!

Krapp's Last Tape was first performed by Patrick Magee at the Royal Court Theatre in October 1958, and described as 'a solo, if that is the word, for one voice and two organs: one human, one mechanical. Box - [Pause.] - three, spool - [Pause.] - five.

Happy Days was written in 1960 and first produced in London at the Royal Court Theatre in November 1962. WINNIE: [ . .] Well anyway - this man Shower - or Cooker - no matter - and the woman - hand in hand - in the other hands bags - kind of big brown grips - standing there gaping at me [...] - What's she doing?

His first published work of fiction (1934), More Pricks Than Kicks is a set of ten interlocked stories, set in Dublin and involving their adrift hero Belacqua in a series of encounters, as woman after woman comes crashing through his solipsism. More Pricks contains in embryo the centrifugal world of Beckett's men and women.

'Malone', writes Malone, 'is what I am called now.' On his deathbed, and wiling away the time with stories, the octogenarian Malone's account of his condition is intermittent and contradictory, shifting with the vagaries of the passing days: without mellowness, without elegiacs;

James Liddy is considered one of Ireland's most original poetic voices. Since his career began in the early 1960s he has gone on to create a body of work unique in both contemporary Irish and American literature. This work pays tribute to this poet.

This work brings together all the theatrical works of the groundbreaking Irish playwright Brendan Behan. As well as containing his famous full-length plays, such as "The Hostage", the book also showcases three intensely autobiographical one-act plays, originally written for radio.

An essential text in the development of modern British drama

A scintillating collection of five plays from the last sixty years of Irish drama featuring work by Behan, Barry, Reid, Murphy, and McDonagh, and introduced by Patrick Lonergan.

This strikingly beautiful debut reverberates with the insight that comes from close observation of inner and outer worlds. The collection is distinguished by the sensuous physicality of vivid natural imagery, rich vairety in form and an illuminating musical use of language; all of which is backlit by a questioning intelligence. Bell faces the shadows cast by loss and change without flinching and thereby honours what it is to be alive. - John Clarke, Author of The River.

Substantial retrospective drawing on the life's work of a distinguished poet celebrating his 80th year, with a new sequence bridging three centuries to evoke the voice of the Quaker James Nayler, who was abominably punished for 'horrid blasphemy'. Poetry Book Society Special Commendation.

This third highly inventive collection by Tara Bergin is a diary-reflection on the savagery of modern life told in a series of fragmented entries.