'DIFP IX' brings together the entire spectrum of Ireland's foreign relations between 1948 and 1951. It includes Ireland's role as a founder member of the Council of Europe in 1949 and the state's response to the creation of the European Coal and Steel Community in 1950 - the origins of today's EU.
Master manipulator or gangster? The malign thrust of Putin's domestic and foreign policy is exposed in Cunningham's latest page-turning biography including his early life, political career, the wars in Chechnya, Crimea and the Ukraine, the crackdown on human rights, Brexit, Trump - and the poisonings.
The Irish parliament has become radical, raucous and rancorous, trawling, brawling and bawling to hide its failure to represent the people equally and fairly. It directs its energy toward character assassination and denigration of its predecessors in opposition, to the detriment of respect and toleration for the Irish people and the institutions of government.
The Brexit vote; Donald Trump's victory; the vilification of immigrants; all have been based on the power to evoke feelings and not facts. So what does it all mean and how can we champion truth in in a time of lies and 'alternative facts'? The author investigates how we got here, why quiet resignation is not an option and how we must fight back.
Why the old politics is useless and what to do about it. This is political journalist Matthew DAnconas call to arms to challenge this age of political extremism, lazy populism and democratic torpor. In it Matthew DAnconas will propose a new way of understanding the crises of developed societies in the early 21st Century and plot a way forward.
A riveting account from the best-informed insider, Collateral Damage charts the strangest and most convulsive period in the recent history of Britain and the US - and the state of the 'special relationship' today.
Blockchain Radicals uncovers the radical political potential of the blockchain, showing how it can be used by the left in the fight against capitalism.
Anthony Dawton and Jim McFarlane's photographs of Rohingya people living in the refugee camp at Cox's Bazar, Bangladesh, having fled genocide by Myanmarese government, military and militias. "