Literature Studies

York Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.

This correspondence, unpublished and almost unknown until now, opens up to us the world of a great Irish scholar in the late seventeenth and early eighteenth centuries. These letters are published and commented upon for the first time by the leading medievalist, Richard Sharpe FBA, Professor of Diplomatic at Oxford and Fellow of Wadham College.

Until a couple of years ago, J. M. Barrie's manuscript letters to Robert Louis Stevenson were presumed lost by Barrie's biographers. This fascinating and witty exchange shows why they developed such an intense bond (despite never meeting) and the deep impact their correspondence had on Barrie's life and work after Stevenson died.

Available Open Access under CC-BY-NC licence. Written by leading experts in the fields of medicine, law, reproductive health and social science, this book offers a concise and authoritative account of the evidence regarding the likely impact of decriminalisation of abortion in the UK.

his issue is another selection of profiles from our tentatively named Guide to Irish Writers of Gothic, Supernatural and Fantastic Literature. The keen-eyed will spot one name that might seem out of place: Harry Clarke (1889-1931). Clarke, of course, was not a writer, but an artist who worked in watercolour, pen and ink, and stained glass. As an illustrator, Clarke put his indelible mark on literature of the macabre and fantastic. His best-known illustrations are those accompanying Edgar Allan Poe’s Tales of Mystery and Imagination (1919/23), though his illustrations for Andersen, Perrault, and Swinburne also bear hallmarks of the strange. So too do goblins and grotesques leer from the corners of his stained glass work. Writing in The Irish Statesman on Clarke’s illustrations for Goethe’s Faust, the poet A.E. was clearly taken with the artist’s power.

Argues that modern Irish history encompasses a deep-seated fear of betrayal, and that this fear has been especially prevalent throughout Irish society since the revolutionary period at the outset of the twentieth century. -- .

A collection of essays on feminism, from one of the most important and original public intellectuals writing today