Navigation

Ireland's Art, Ireland's History: Representing Ireland, 1845 to Present

Availability: Out of Stock
ISBN: 9781881871514
AuthorBhreathnach-Lynch, Sighle
Pub Date15/10/2007
BindingPaperback
Pages304
CountryUSA
Dewey
Quick overview A study of Irish pictures and sculpture that opens up the subject by providing a interdisciplinary approach. It covers diverse topics such as the representation of the Irish peasant, the behind-the-scenes tensions in setting up a national gallery for Ireland, the erecting of political monuments, Church art, and West of Ireland landscape painting.
€46.46

Until recently little attention was paid to the role of art in constructing the "story" of the

Irish nation. This wide-ranging study of Irish pictures and sculpture opens up the subject by

providing a fresh interdisciplinary approach. Each work is analyzed beyond its strictly art

historical relevance. A deeper investigation into the context in which a work was produced

reveals much about the aspirations and ideological ambitions of artists, those commissioning

works, and the viewing public. The study of such diverse topics as the representation of the

Irish peasant, the behind-the-scenes tensions in setting up a national gallery for Ireland, the

erecting of political monuments, Church art, West of Ireland landscape painting, and the difference

in nationalistic fervor among artists as diverse as Albert G. Power and Jack B. Yeats unveil

fascinating testimony about Ireland's collective national "needs" and its constructs of identity.

*
*
*
Product description

Until recently little attention was paid to the role of art in constructing the "story" of the

Irish nation. This wide-ranging study of Irish pictures and sculpture opens up the subject by

providing a fresh interdisciplinary approach. Each work is analyzed beyond its strictly art

historical relevance. A deeper investigation into the context in which a work was produced

reveals much about the aspirations and ideological ambitions of artists, those commissioning

works, and the viewing public. The study of such diverse topics as the representation of the

Irish peasant, the behind-the-scenes tensions in setting up a national gallery for Ireland, the

erecting of political monuments, Church art, West of Ireland landscape painting, and the difference

in nationalistic fervor among artists as diverse as Albert G. Power and Jack B. Yeats unveil

fascinating testimony about Ireland's collective national "needs" and its constructs of identity.