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CESCA`S DIARY 1913-1916

Availability: In Stock
ISBN: 9781851322312
AuthorPyle, Hilary
Pub Date08/03/2021
BindingPaperback
Pages334
Publisher: Arlen House
Quick overview The artist Frances Georgiana Chenevix Trench, better known as Cesca, kept a detailed diary of her involvement in the nationalist movement as a member of Cumann na mBan, as well as a personal account of her presence in the Howth gun-running incident and the events of Easter Week 1916.
€47.73

Born in England into a unionist family, the artist Frances Georgiana Chenevix Trench became an ardent nationalist and quickly involved herself in the movement for Home Rule and political freedom in Dublin. Before the outbreak of the First World War, Cesca, as she was known, attended art school in Paris, where she associated with students from other small countries seeking freedom. Her passion for Ireland influenced her art, her love life, and her relations with her unionist family. Cesca's seven manuscript journals, originally written in Irish, English, and French, have been translated and set in the context of their times by Hilary Pyle. Heavily illustrated with her portrait sketches of friends and associates in the movement, as well as examples of her oil paintings and pastels, the book is a fascinating account of a young woman in early twentieth-century Ireland.

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Product description

Born in England into a unionist family, the artist Frances Georgiana Chenevix Trench became an ardent nationalist and quickly involved herself in the movement for Home Rule and political freedom in Dublin. Before the outbreak of the First World War, Cesca, as she was known, attended art school in Paris, where she associated with students from other small countries seeking freedom. Her passion for Ireland influenced her art, her love life, and her relations with her unionist family. Cesca's seven manuscript journals, originally written in Irish, English, and French, have been translated and set in the context of their times by Hilary Pyle. Heavily illustrated with her portrait sketches of friends and associates in the movement, as well as examples of her oil paintings and pastels, the book is a fascinating account of a young woman in early twentieth-century Ireland.

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