Examines the role of the Church in the dynamic of social and political change which will significantly contribute to our understanding of the relationship between Church and state in modern Ireland -- .
This collection of essays stages a dialogue between leading Beckett scholars and media theorists and offers the first sustained critical enquiry into Beckett as a media artist and his intermedial work. -- .
Representing the first in-depth qualitative study of how social media such as Facebook, Twitter, and YouTube are used to mediate contentious public parades and protests in Northern Ireland, this book explores the implications of mis-and dis-information spread via online platforms for peacebuilding in societies transitioning out of conflict. -- .
This is the first comprehensive history of goth music and culture. Across more than 500 pages, John Robb explores the origins and legacy of this enduring scene, drawing on his own experience and interviews with a host of bands, from Siouxsie and the Banshees and The Cure to Throbbing Gristle and Lydia Lunch. -- .
Now that's what I call a history of the 1980s is a political and cultural History of Britain in the long 1980s in ten objects or moments. Neither a top down history, nor nostalgic celebration, it reframes the decade around local, national, and global politics of gender, race, age and sexuality. -- .
This study provides the first exclusive analysis of disabled First World War veterans who returned to Ireland. With a case study of mental illness, it foregrounds how the treatment and experiences of disabled communities in past societies is shaped by the existing socio-economic, cultural and political context. -- .
This study provides the first exclusive analysis of disabled First World War veterans who returned to Ireland. With a case study of mental illness, it foregrounds how the treatment and experiences of disabled communities in past societies is shaped by the existing socio-economic, cultural and political context.
This book is an oral history of punk in Belfast from the mid-70s to the mid-80s. It reads a small number of interviews in close detail to place them in the context of the Troubles and to draw out the imaginative ways that interviewees evoke the experience of growing up in Northern Ireland and punk's intervention in that complex conjuncture. -- .
This book makes an important contribution to our knowledge of modern European forensic practices. It shows how the performance of forensic scientists has been shaped by political regimes, law and ideology, leading to different forensic cultures. -- .
This book is a unique analysis of truth recovery in post-conflict Northern Ireland. It proposes a new model of victim and perpetrator dialogue that is entirely victim-centred, suggesting that only a 'moral bottom line' in which violence is dismissed as universally wrong can assists in the effective democratic reconstruction of Northern Ireland.
Argues that modern Irish history encompasses a deep-seated fear of betrayal, and that this fear has been especially prevalent throughout Irish society since the revolutionary period at the outset of the twentieth century. -- .
The first detailed account of the life and work of Bishop Francis Hutchinson (1660-1739), author of one of the most important witchcraft texts of the early modern period, An historical essay concerning witchcraft (1718). This work has captivated readers for centuries and still a vital source for those investigating witchcraft trials of the period