A giant crane appears at the back windows of a residential street, its red 'eye' overlooking lives on the other side of the glass where Susan Wicks writes searchingly about our ordinary existence, its serendipities and unreliable sense-impressions. By the time the crane leaves, the landscape we knew will have changed and we too will have moved on.
This second collection from one of Britain's most innovative poets is an exploration of identity in the face of loss. At its heart is a series of poems about the desolation of miscarriage. Chrissy Williams' first collection Bear (Bloodaxe) was one of The Telegraph's 50 Best Books of the Year in 2017.
In this highly accomplished debut collection Sarah Wimbush journeys through myth and memory with poetry rooted in Yorkshire. From fireside tales of Romany Gypsies and Travellers, through pit villages and the haunt of the Miners' Strike, to the subliminal of everyday - with poems on typists, pencil sharpeners and learning to drive in a Ford Capri.