University of Toronto Press

By examining the manuscript of The Book of Kells (8th or 9th century AD) in its political, social, historical, and religious contexts, Farr provides a fresh perspective on this most famous of insular illuminated texts.

Gieri traces a history of the Pirandellian mode in cinema and investigates its characteristics, demonstrating the original nature of Italian filmmaking that is particularly indebted to Pirandello's interpretation of humour.

This lively anthropological memoir captures a pivotal moment in the history of Ireland and the revitalization of the Irish language.