Syracuse University Press

Features the full text of the play, published for the first time, along with a collection of essays exploring the play's themes, cultural significance, critical reception, and the legal case that cut short its successful production run.

A monumental family saga that offers a vivid portrait of Egypt's Mamluk period, one that is at both sweeping in scope and intimate in detail. Set in medieval Cairo, the novel centers on three generations of Egyptians, foreign-born Mamluks, and their descendants as their trials and victories mirror those of their turbulent country.

In 1928, Hilton Edwards and Micheal mac Liammoir founded the Dublin Gate Theatre. In examining an extensive corpus of archival resources, Van den Beuken reveals how the Gate became a site of avant-garde nationalism in the Ireland's tumultuous first post-independence decades.

The first book of its kind, Literary Drowning explores depictions of the drowned body in twentieth-century Irish and Caribbean postcolonial literature, uncovering a complex transatlantic conversation that reconsiders memory, forgetfulness, and the role that each plays in the making of the postcolonial subject and nation.

This is a critical survey of the fiction and non-fiction written in Ireland during the key years between 1880 and 1920, or what has become known as the Irish Literary Renaissance. The book considers both the prose and the social and cultural forces working through it.

Ireland's status as an island nation with a history of emigration has meant the development of a body of diasporic cultural memory. This book opens new pathways into the body of Irish cultural memory, demonstrating time and again the ways in which memory is supported by the negotiations of individuals within wider cultural contexts.

Investigates why writers during the long eighteenth-century so often turned to the rogue narrative to discuss Ireland. With consideration for themes of conflict, migration, religion, and gender, Lines offers up a compelling connection between the rogue themselves and the ever-popular rogue narrative in this early period of Irish writing.

Irish crime fiction, long present on international bestseller lists, has been knocking on the door of the academy for a decade. With a wide range of scholars addressing some of the most essential Irish detective writing, Guilt Rules All confirms that this genre has arrived.

Irish crime fiction, long present on international bestseller lists, has been knocking on the door of the academy for a decade. With a wide range of scholars addressing some of the most essential Irish detective writing, Guilt Rules All confirms that this genre has arrived.

Aims to show how a discrete tradition of writing about Lough Derg helped contemporary Irish poets rescue, metaphysical inquiry from the grip of nationalism. Surveying literary treatments of Lough Derg, this work addresses the role of spirituality in an increasingly cosmopolitan, postmodern, post-Catholic Ireland.

Offering a fresh perspective, this volume traces the rich history of the Irish American diaspora press, uncovering the ways in which a lively print culture forged significant cultural, political, and even economic bonds between the Irish living in America and the Irish living in Ireland.

Offers an account of the evolution of the Irish tourist industry over the twentieth century. This book examines how a small group of tourism advocates, inspired by tourist development movements in countries such as France and Spain, worked tirelessly to convince their Irish compatriots that tourism was the secret to Ireland's success.