Please Do Not Touch This Exhibit explores disability, storytelling, and the process of mythologising trauma. Jen Campbell writes of Victorian circus and folklore, deep seas and dark forests, discussing her own relationship with hospitals - both as a disabled person, and as an adult reflecting on childhood while going through IVF.
The Island in the Sound, the third collection by South Uist poet Niall Campbell, creates an archipelago of memories, lyrics, observations and folktales that place the small islands of his birthplace into conversation with moments from literature and history.
Through critical and creative responses, Eavan Boland: Inside History takes a fresh look at Boland's influence as a poet and critic for the twenty-first century. The essays, poems, and interviews gathered here provide a new frame for critically engaging with Boland's work, one that crosses continental and aesthetic boundaries.
"Mother died today. Or was it yesterday, I can't be certain." Albert Camus' classic existentialist masterpiece, adapted by Booker Prize-winning author Ben Okri.
This new collection from one of Ireland's leading writers is a book of wonderings and wanderings, meditating on cultural boundaries, the persistent horrors of war, lost friends and light.
Moya Cannon's new collection reaches back into the long past, showing how traces left behind - textile fragments, buried thimbles, cave paintings - enable us to make imaginative connections with our distant ancestors, emphasising the commonalities of human lives lived many centuries apart.
Sixth collection by one of Carcanet's celebrated Irish women poets, who include Eavan Boland, Sinead Morrissey, Mary O'Malley, Martina Evans, and Tara Bergin.
Offering a critical reappraisal of a prolific and popular genre, this text also brings new material into the broader field of television studies. It surveys the traditional discourses about adaptation, unearthing assumptions and misconceptions, and explores the problems of previous approaches.