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Suttree

Availability: In Stock
ISBN: 9780330511230
AuthorMcCarthy, Cormac
Pub Date01/01/2010
BindingPaperback
Pages480
CountryGBR
Dewey813.54
Publisher: Pan Macmillan
Quick overview Suttree contains a humour that is Faulknerian in its gentle wryness, and a freakish imaginative flair reminiscent of Flannery O'Connor' Times Literary Supplement
€11.18

This compelling novel has as its protagonist Cornelius Suttree, living alone and in exile in a disintegrating houseboat on the wrong side of the Tennessee River close by Knoxville. He stays at the edge of an outcast community inhabited by eccentrics, criminals and the poverty-stricken. Rising above the physical and human squalor around him, his detachment and wry humour enable him to survive dereliction and destitution with dignity. 'Suttree marks McCarthy's closest approach to autobiography and is probably the funniest and most unbearably sad of his books' Stanley Booth 'The book comes at us like a horrifying flood. The language licks, batters, wounds -- a poetic, troubled rush of debris ...Cormac McCarthy has little mercy to spare, for his characters or himself. His text is broken, beautiful and ugly in spots ...Suttree is like a good, long scream in the ear.' Jerome Charyn, New York Times

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Product description

This compelling novel has as its protagonist Cornelius Suttree, living alone and in exile in a disintegrating houseboat on the wrong side of the Tennessee River close by Knoxville. He stays at the edge of an outcast community inhabited by eccentrics, criminals and the poverty-stricken. Rising above the physical and human squalor around him, his detachment and wry humour enable him to survive dereliction and destitution with dignity. 'Suttree marks McCarthy's closest approach to autobiography and is probably the funniest and most unbearably sad of his books' Stanley Booth 'The book comes at us like a horrifying flood. The language licks, batters, wounds -- a poetic, troubled rush of debris ...Cormac McCarthy has little mercy to spare, for his characters or himself. His text is broken, beautiful and ugly in spots ...Suttree is like a good, long scream in the ear.' Jerome Charyn, New York Times

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