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ISDAL

Availability: Out of Stock
ISBN: 9781035015054
AuthorDickey, Susannah
Pub Date14/09/2023
BindingPaperback
Pages112
CountryGBR
Dewey821.92
Publisher: Pan Macmillan
Quick overview The much-anticipated debut poetry collection from acclaimed novelist Susannah Dickey, on the subject of our cultural obsession with true crime.
€14.75

The much-anticipated debut poetry collection from acclaimed novelist Susannah Dickey, on the subject of our cultural obsession with true crime.

ISDAL is a timely interrogation of the true crime genre. In the first of its three parts, we follow the flirty co-presenters of a podcast about the mystery of 'Isdal Woman', whose burnt remains were discovered in Norway in 1970 and who has never been identified. At the centre of the book is a philosophical enquiry into our perennial obsession with female victims, sexiness, and death: 'The death in question has already occurred', the poet observes, 'has occurred to someone sufficiently abstract as to allow us to romp gainfully, guilelessly, guiltlessly through a simulacrum of death's corridors'. The free verse poems in the final section both explore and-perhaps inevitably-enact the ethical ambiguities of the genre. Witty, excoriating, formally ingenious, ISDAL marks the arrival of a thrilling new talent in contemporary poetry.

Product description

The much-anticipated debut poetry collection from acclaimed novelist Susannah Dickey, on the subject of our cultural obsession with true crime.

ISDAL is a timely interrogation of the true crime genre. In the first of its three parts, we follow the flirty co-presenters of a podcast about the mystery of 'Isdal Woman', whose burnt remains were discovered in Norway in 1970 and who has never been identified. At the centre of the book is a philosophical enquiry into our perennial obsession with female victims, sexiness, and death: 'The death in question has already occurred', the poet observes, 'has occurred to someone sufficiently abstract as to allow us to romp gainfully, guilelessly, guiltlessly through a simulacrum of death's corridors'. The free verse poems in the final section both explore and-perhaps inevitably-enact the ethical ambiguities of the genre. Witty, excoriating, formally ingenious, ISDAL marks the arrival of a thrilling new talent in contemporary poetry.

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